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Outsider and many-sided personality, owing to his education as well, neither a photographer nor an artist in the usual meaning the word has, fascinated by the subtle mystics of old time naturalists, Gabriele Geminiani has developed a personal narrative language.
He has been picking up abandoned things for years, lingering on the psychological effect they are able to evoke.
Gabriele Geminiani tries to make rejects survive and save them from the death they are bound to, giving them new dignity inside the logic of rescued fragments , filling them with poetic emphasis, lingering on their emotional cross references.
He does not strike the harsh chords of protest, condemnation, challenge. Geminiani reveals relics. In fact his most congenial narrative form is the parable : the humble are redeemed; the waste, the poor abandoned things ( res nullius ) are snatched from emptiness, nothingness, decay. By the combination of different materials and the creation of small sculptures ( the small altars of lost things ), which sometimes are given everlasting memory by photography ( Legends series ), he thinks upon the aesthetic use of rejects, getting close to one of the greatest themes of twentieth-century art.
Because waste, rubbish, the ecological betrayal are standard features of our century and art in the last hundred years.
Gabriele Geminiani was born in Pesaro Italy in 1962. He lives and works between Marche and Romagna. His path winds between interventions and mountings in neglected places constantly using recycled materials and graphic-poetic forays in the picture publishing world for which he has produced small picture books. He contributes to a San Marino newspaper, publishers and advertising agencies
art and scientific studies behind him, Gabriele Geminiani has realized several exhibitions closely related to the coastal and Montefeltro areas starting from 1996.
He keeps on riding new urban and sea adventures, carefully collecting objects which were
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